Bhupendra Rasaili

Jay Prakas Joshi (JP) is a Nepali tabla player and performing musician known for his rhythmic precision, classical grounding, and versatile accompaniment style across live stages and studio sessions. Active in Nepal’s contemporary music circuit, he represents a generation of musicians who blend traditional tabla techniques with modern performance settings, supporting singers, folk ensembles, and fusion acts.JP is recognized for his steady presence in live concerts, cultural programs, and collaborative musical projects, where his playing adds depth, timing, and emotional texture. His work reflects a commitment to preserving classical rhythmic traditions while adapting them for today’s diverse Nepali musical landscape.

Arbic Shahi Khadgi is a Nepali freelance musician, keyboardist, performer, music composer, songwriter, and music arranger known for his involvement in live shows, studio sessions, and collaborative contemporary music. Active in recent years, he contributes melodic arrangements, harmonic progressions, and modern keyboard textures across concerts, events, digital music, and production projects. His versatility across composition, songwriting, and arrangement makes him a dynamic presence in Nepal’s evolving music scene.

Saran Kumar Pradhan (1943–1974) was one of Darjeeling’s most gifted lyricists, composers, and mandolin virtuosos, shaping the golden era of modern Nepali music. Born on 4 May 1943, he grew up in a culturally vibrant Darjeeling and taught himself banjo, harmonium, and mandolin with remarkable mastery. A science graduate from St. Joseph’s College, he later taught at St. Robert’s School, where he also composed the school anthem. A student of maestro Amber Gurung, Saran emerged as a leading figure of Adhunik music alongside Aruna Lama, whom he married in 1963. Their partnership produced timeless classics such as “Yaha Ful Nakhili Cha,” “Sabaile Bhanthe,” “Hera Na Hera Kancha,” and many others. His music club Sangeet Sangam became a creative hub that nurtured Darjeeling’s finest talents. Saran passed away in 1974 at just 31, leaving behind a luminous body of work that continues to define Nepali musical heritage.

Bijay Baral is a Nepali drummer and live performer known for his energetic stage presence, tight rhythmic control, and versatility across modern, pop, rock, and fusion music. Active in Nepal’s live music circuit, he has performed with various bands, event lineups, and studio projects, contributing dynamic grooves and polished timing to both stage and recording environments. His adaptability in multi‑genre arrangements and his ability to elevate live performances have made him a reliable and in‑demand drummer within Nepal’s growing contemporary music scene.