B.B. Anuragi

Purushottam Neupane is a celebrated Nepalese folk singer known for his contributions to the Lok Dohori genre. His music reflects the rich cultural heritage of Nepal, blending traditional melodies with heartfelt lyrics. Songs like "Hall Suneko" and "Jhil Jhil Sitara" showcase his talent and passion for folk music.  

Ratna Kumari Gurung is a Nepali classical and folk‑classical singer known for her contribution to traditional vocal music and her presence in Nepali cultural performance circuits, she is recognized in Nepali music listings as a classical‑leaning vocalist with appearances in cultural programs and traditional music platforms. Within the classical domain, Ratna Kumari Gurung is associated with semi‑classical and classical vocal styles, often performed in cultural events, traditional gatherings, and Nepali folk‑classical platforms.

Kunti Moktan is a talented Nepali singer known for her classical training and her ability to seamlessly blend folk and modern music. Born on July 11, 1962, in Margaret’s Hope Tea Estate, Darjeeling, India, she later moved to Kathmandu, Nepal, in 1983 to pursue her musical career. Kunti is best known for her folk-pop songs, including hits like “Choli Ramro,” “Nishthuri Mayalu,” and “Mathi Mathi Sailungey Ma.” She often collaborates with her husband, Shila Bahadur Moktan, who is also a musician and singer. Besides her singing career, Kunti teaches music at various schools. 🎤

Brata Gandarva, a renowned folk singer and Sarangi player, was born on 25th Poush, 2043 BS, in Jarayotar, Palpale, Bhojpur. She is the fourth daughter of Dambar Gandharba and Chija Maya Gandharba. Growing up in a large family with two brothers and six sisters, Brata's childhood was marked by a deep connection to music, especially Sarangi. Her father, a professional Sarangi player, and her mother, who also played the instrument, were her primary sources of inspiration. Though Brata was initially shy and quiet as a child, her love for Sarangi and singing gradually grew as she accompanied her mother around the village, performing and learning the traditional craft. The family's financial struggles further motivated Brata to continue the musical tradition, as it was both a means of sustenance and a way of life. Education and Musical Journey: Unlike many musicians, Brata didn’t receive formal schooling during her early years in the village. However, her connection with music was solidified when she met Gopal Siwakoti Chintan, a renowned figure who inspired her to pursue formal education and music training. Upon moving to Kathmandu, Brata joined Tri-Ratna Cooperative School, where she completed her S.L.C. and later went on to study at Lalit Kala Campus, earning her I.A. degree. She is currently in her B.A. 2nd year at the same institution. Her musical journey began under the mentorship of her parents, with her father being a significant influence on her playing technique. After moving to Kathmandu, she continued her training at Nepal Sangh Vidhalaya, under the guidance of Shyam Nepali, and started recording her songs in Music Nepal around 2053 BS. Brata’s contributions to folk music extend beyond her own performances; she is also a dedicated teacher, sharing her knowledge of Sarangi with students six days a week at various institutions.