Ashish Puri

Naresh Bhattarai is a prominent Nepalese media personality, lyricist, actor, and presenter. Born on February 26, 1978, in Sarlahi, Nepal, he has made significant contributions to the entertainment industry. Known as the "Voice of Nepal," he has been active in radio, television, and stage hosting since 1996. Naresh has written over 300 songs, many of which have become popular in Nepal. He has also acted in feature films, television commercials, and music videos. As a presenter, he has hosted numerous shows, including Mero Euta Sathi Chha and Chiyapaan with Naresh. His versatility and dedication have earned him accolades, including recognition as the busiest emcee in 2014 and the emcee of the year in 2016.

Komal Oli is a Nepali folk singer and former Radio Nepal news anchor known for her powerful lok‑geet vocals and her long career in national broadcasting. She rose to prominence with hit folk numbers that blended traditional melodies with her distinct vocal style, making her one of the most recognizable female voices in Nepali folk music.As a news anchor and program presenter at Radio Nepal, she became a trusted national voice, contributing to Nepali media for many years before transitioning fully into music and public life. Her songs, stage performances, and cultural presence have made her a prominent figure in modern Nepali lok‑sangeet.

Bijayratna Tuladhar is a Nepali film director, chief assistant director, and respected film‑based journalist whose career spans more than three decades across cinema, media, and cultural documentation. Active since the early 1990s, he is known for his disciplined on‑set leadership, his contributions to classic Nepali films, and his award‑winning work in film journalism.He entered the Nepali film industry as a Chief Assistant Director, contributing to notable films such as Priyasi (1993), Rajamati (1996), and Pachhyauri (1997)—projects that helped shape the visual and narrative style of 1990s Nepali cinema. His early work established him as a reliable creative collaborator with strong command over production, continuity, and actor‑director coordination.Transitioning into direction, Tuladhar helmed Bir Ganeshman (2003) and Man Ko Tukra (2004), both of which reflected his interest in socially rooted storytelling and character‑driven drama. His directorial work is marked by clarity, cultural grounding, and a commitment to authentic Nepali narratives.Parallel to filmmaking, Bijayratna Tuladhar built a respected identity as a film‑based journalist, writing analytical pieces, industry reports, and cultural commentary that contributed to the documentation and critique of Nepali cinema. His journalism earned him major national honors, including the NFDC National Film Award (2071) – Best Journalism Award and the D‑cine Award (2066) – Film Journalism Prize, recognizing his influence beyond the screen.With a career that bridges filmmaking and journalism, Tuladhar stands as one of the few Nepali creatives who have contributed to cinema both from within the production floor and from the lens of critical media. His work continues to represent dedication, discipline, and long‑term service to Nepali film culture.