Ashirwad B Chhetri

Dayahang Rai is a Nepalese actor, director and play writer known for his work in Nepali cinema. He is one of the most popular and acclaimed actors in Nepal. He has starred in 40 plus films and is one of the leading contemporary actors in Nepal. Dayahang rose to prominence from the television series Yuva, Dalan and Hamro Team. His first leading role in a film was in Anagarik (2006) and had only one successful film Dasdhunga (2010) to his name but the 2012 Industry Hit film Loot (2012) marked turning point in his career and since then has starred in successful films Chhadke (2013), Badhshala (2013), Karkash (2013), Jholey (2014), Kabaddi (2013) and its sequels Kabaddi Kabaddi (2015) and Kabbadi Kabbadi Kabbadi (2019), Talakjung vs Tulke (2014), Woda Number 6 (2015), How Funny (2016), Bir Bikram (2016), Loot 2 (2017), Kaanchi (2018) and Jatrai Jatra (2019). He has starred in the film White Sun (2016) which was his first film that was entry of Nepal for Academy Awards. Dayahand Rai is also the recipient of numerous awards including three National Awards for Best Supporting Actor in 2009 for Dasdhunga, Best Actor in 2015 for Sambodhan, and Best Actor in 2016 for Kabaddi Kabaddi.

Model at D Winter Fest 2019 by L&N Model Agency. Coordinator at the Fashion Era.

Uttam Pradhan is an Indian‑Nepali actor from Singtam, Sikkim, best known for his leading roles in Nepali cinema’s landmark films Darpan Chhaya, Pyari Bahini, Pareni Maya Jalaima, Basain, and Letter. A former model and television actor, he entered films after winning major modeling titles in the mid‑1990s and quickly became one of the most recognizable romantic and dramatic actors of the 2000s.Active since 2000, Pradhan has appeared in more than two dozen Nepali films and has been honored with multiple acting awards, including recognition from Nepal’s royal family and the Sikkim Kala Samman, the highest civilian honor of Sikkim. He also served as the Founder Chairman of the Sikkim Film Development Board, contributing significantly to cross‑border cultural exchange and the growth of Nepali‑language cinema.