Anita Subba

Gopal Yonjan (1943–1997) was a towering figure in Nepali music—an accomplished singer, lyricist, music director, arranger, flutist, and multi-instrumentalist. Born in Darjeeling, India, he began his musical journey with the flute, winning accolades as a young performer. His deep study of Nepali folk, Rabindra Sangeet, and classical traditions shaped a career that spanned over three decades and more than 2,000 compositions. Yonjan moved to Kathmandu in 1967 to pursue his MA in Nepali and taught music at prestigious schools while composing for Radio Nepal, Nepal Police Club, and films. His partnership with Narayan Gopal is considered the golden era of Nepali modern music. He was known for blending poetic depth with rich orchestration, often writing, composing, and arranging his own songs. His works spanned genres—patriotic, romantic, philosophical, spiritual, and children's music. He was honored with the Gorkha Dakshin Bahu, Chinnalata Song Award, and multiple Best Music Director titles. His legacy continues to inspire generations of musicians and listeners.

Hiranya Bhojpure is a respected Nepali singer, musician, and writer, known for his contributions to folk and modern Nepali music. He was born in Deurali, Bhojpur and became a household name through his work with the Lekali music group, alongside artists like Ganesh Rasik and Urmila Shrestha. His music often reflects themes of Nepali identity, nature, and social issues. Some of his popular songs include: Rato Bhale (with Ganesh Rasik) Lahara Pahara Chhahara Ko Desh Tyamka Daanda Hara Hara Mahadev Paani De Mero Atit Ek Anjuli Ghaam (Album) Bhojpure was also a poet and writer, incorporating his hometown into his artistic identity. His work helped shape Nepali music by blending traditional elements with modern storytelling.

Urgen Moktan is a standout figure in Nepal’s hip-hop and trap scene, known for his gritty lyricism and genre-blending sound. Hailing from Kathmandu, he’s carved out a unique identity by fusing traditional Nepali melodies with modern trap beats, often reflecting themes of street life, spirituality, and cultural pride. His breakout album Urgen Ko Ghoda features collaborations with major names like VTEN (on the track “KKK”) and showcases his versatility—from the raw energy of “ठग् LIFE” to the introspective vibe of “Jay Shambhooo”. He’s also known for tracks like “Jiskirako”, “ARKO TORI”, and “Sab Ta Nai Ho K”, which have gained significant traction on YouTube and streaming platforms. Urgen’s aesthetic is deeply rooted in the Kathmandu underground, particularly the SwoyambhuGang and KTM WestSide movements, and he’s become a voice for a new generation of Nepali youth navigating identity, struggle, and ambition.

Jhalakman Gandharva (झलकमान गन्धर्व) was a pioneering Nepali folk singer who popularized Gaine Geet, giving voice to Nepal’s marginalized Gandharbha community. Born on July 29, 1935, in Batulochaur, Pokhara, Jhalakman began singing at age nine, traveling village to village with his sarangi. He became the first Gaine artist to record songs, transforming oral traditions into mass media. His haunting ballads, especially “Aamale Sodhlin Ni”, mourned the death of Nepali soldiers abroad and resonated deeply across generations. Active from 1965 until his death in 2003, he recorded over 100 songs, blending folk and classical styles. His music preserved indigenous narratives and challenged caste-based exclusion, earning him national reverence. Jhalakman’s legacy lives on as a cultural bridge—his voice remains a symbol of dignity, sorrow, and resilience.