Jayananda Lama

Starting from his early years in Nepali commercial cinema, Ravi Shah established himself as a dependable character actor known for his calm screen presence, expressive delivery, and versatility across drama, family, and social‑themed films. Active since 1985, he has contributed to more than 50 Nepali feature films, often portraying father figures, community elders, and emotionally grounded supporting roles.Shah’s career spans the golden era of 1990s Nepali cinema through the transitional 2000s, with memorable performances in films such as Kanyadaan (1991), Maya Preeti (1989), Pachhis Basanta (1989), Badal Paree (2001), Manmandir (2002), Pahuna (2003), Aankha Lobhi Man Papi (2003), and Godhuli (2003). His long filmography reflects steady, respected participation in mainstream Nepali filmmaking, and he is also credited as a legal advisor in the industry.

Rudra Shekhar Sharma, known as RUDY, is a versatile singer who captivates audiences in various languages. Born in Jhapa, Nepal, to Bhumika Devi Upadhyay and Ganga Prasad Sharma, Sharma developed a passion for singing at a young age. Even during his school years, he actively participated in cultural activities. After his family moved to Kathmandu, Rudy's desire to become a singer grew stronger with the increased exposure to opportunities in the capital. While pursuing his education in Kathmandu, Sharma also took singing classes at several institutes. His penchant for modern songs and exceptional talent quickly earned him recognition in the music industry. Within a short period, Rudy established himself as a successful singer in the music scene. He found himself among the top singers of the time. Sharma's contribution to Nepali music was acknowledged when he received the 6th RAPATI MUSIC AWARD in 2074 BS for his exceptional singing skills. Despite the presence of other renowned singers at the peak of their careers, Sharma also made a mark among them. He has actively contributed to the Nepali music industry for over twelve years, delivering melodious tunes that resonate with listeners. In 2074 BS, Sharma released his debut album "RUPAM" which garnered significant attention in the Nepali music market. The album, consisting of five songs, received widespread acclaim and became a topic of discussion in the music circles. For the first time, Sharma found himself featured in an album, presenting him with a golden opportunity. Even amidst the challenging times of the COVID-19 pandemic, Sharma released songs like "Devadut Haau Timi," specially dedicated to doctors and medical professionals, contributing to the cause while pursuing his musical endeavors. His other songs, such as "Maya Mari, Maile Cheke Daura ra Surwal, Timi Bhanchhau Jun Ramro, Dukhdina Ma, Kina, Tadpiyera Kati Bachnu, Barshau Bityo, Sital Tapnu, Kahile Aanshuma, Jeena Abhi Baaki Hain (Hindi)" garnered significant attention for both their artistic merit and social relevance.

Master Mitrasen Thapa Magar (1895–1946) was a pioneering Nepali folk singer, dramatist, social reformer, and cultural ambassador whose work laid the foundation for organized Nepali folk performance. Born in Bhagsu, Dharamshala, he served in the Gurkha Regiment before dedicating his life to music, theatre, and community upliftment. He performed widely across India and Nepal, including Kathmandu Durbar, where he presented folk songs, dramas, and shamanic‑influenced performances, earning high recognition and public felicitation. His mission was to preserve Nepali identity among diaspora communities through art, discipline, and cultural pride. Master Mitrasen recorded seven gramophone discs in Calcutta, a rare achievement for a Nepali artist of his era. Out of his 63 known compositions, 23 songs survive in recorded form. In 1942, he wrote “Buddhvaani” in Nepali to spread messages of peace, compassion, and social harmony. He passed away in 1946 while on a cultural tour, leaving behind a legacy that continues to inspire Nepali folk musicians worldwide.

Mukunda Shrestha is a veteran Nepali film actor recognized for his powerful presence in action, antagonist, and character roles across more than four decades of cinema. Emerging during the formative years of modern Nepali filmmaking, he built a reputation for intensity, discipline, and memorable screen performances. His work spans notable films such as Kohinoor, Basain, Muskan, and several mainstream action features that defined their era. After stepping away from the industry for nearly a decade, he returned with renewed energy in Laaj Sharanam, reaffirming his commitment to Nepali cinema and his enduring connection with audiences.