Gyanendra Bahadur Deuja

D.B Pariyar was a pioneering Nepali filmmaker best known for directing, writing, and shaping Satya Harischandra (1950), widely regarded as the first Nepali‑language feature film. Working from India during the early diaspora era of Nepali cinema, Pariyar helped establish the narrative, technical, and cultural foundations that later filmmakers would build upon. His contribution marked a defining moment in the transition from stage traditions to cinematic storytelling for Nepali audiences. Though historical documentation remains limited, Pariyar’s role as director, scriptwriter, and story creator positions him as one of the earliest architects of Nepali film history  

Veemsen Lama (born 5 December, Chitwan) is a Nepali singer and director active since 2003. He began his career with the recorded remake of the classic Nepali film song “Timi Mero Ma Timro – Maya Chokho Chha Hamro”, originally sung by Asha Bhosle and Indrajit Mijar from the movie Koseli. His remake version was produced with a modern action‑style music video directed by Simos Sunuwar, marking his first major appearance as a singer.Alongside music, Veemsen expanded into filmmaking, directing projects such as @KathaputaliMovie and contributing to the British film KAMA, establishing himself as a creative storyteller working across Nepal and abroad. With an I.Sc. education and interests in adventure, singing, and sports, he continues to balance artistic work with professional life.

Ashok Sharma is a veteran figure in Nepali cinema, known for his versatile contributions as an actor, director, producer, and screenwriter. Active since the late 1980s, he became one of the most commercially successful filmmakers of the 1990s and 2000s, shaping mainstream Nepali entertainment with family‑drama and social‑comedy hits. Sharma directed and produced popular films such as Dui Thopa Aansu, Allare, Dal Bhaat Tarkari, Mitini, and Jai Bhole, earning a reputation for clean storytelling, strong ensemble casting, and audience‑friendly humor. His work continues to influence new‑generation filmmakers, making him a respected pillar of the Nepali film industry.  

Pradip Shrestha is a Nepali film director known for his work in mainstream commercial and emotional, family‑oriented cinema. Over his career, he has directed a series of feature films that blend romance, social drama, suspense, and sentiment, building a solid reputation as a storyteller who understands the pulse of the Nepali audience.His directorial credits include films such as Dui Pal, Ajambari Nata, Dar, Jiban Rekha, Bhagawan Sabaiko, Sapana, Kabaj, Mero Man Ko Sathi, Black (and others), where he has worked with a range of established and rising actors. These films reflect his interest in emotional relationships, moral dilemmas, and socially rooted narratives presented in an accessible, entertaining style.