Gyanendra Bahadur Deuja

Ujwal Ghimire is a veteran Nepali film and television director, producer, writer, and actor whose career spans more than four decades and has significantly shaped mainstream Nepali cinema. Beginning in theatre and early Nepal Television programs, he rose to prominence with acclaimed films such as Kismat, Chhodi Gaye Paap Lagla, Andaj, and Woda No. 6. Known for emotionally resonant storytelling and audience‑centered direction, he has earned multiple National Film Awards and industry honors. Ghimire remains an influential creative force, contributing to film, television, and the development of new talent in Nepal’s entertainment industry.

Samten Bhutia is a Nepali filmmaker, screenwriter, and theatre‑trained storyteller known for his visually grounded, character‑driven approach to cinema. Emerging from the eastern Himalayan creative community, he has directed and written several Nepali and regional films, often blending realism with emotional, socially rooted narratives. Bhutia’s work reflects a strong command of performance direction and atmospheric visual tone, making him a distinctive voice among contemporary Nepali directors.

Barun Kawasi is the director of Jhoda (1987), known for his grounded storytelling and realistic portrayal of rural Nepali life. His direction emphasizes emotional authenticity, social themes, and character‑driven narratives, making Jhoda a notable film of the 1980s Nepali cinema era.

Prasanna Poudyal is a Nepali film director and music video director best known for directing the feature film Swor – The Melody of Dreams (2011), a project recognized for introducing several new faces to Nepali cinema and for its fresh, experimental approach within the mainstream film landscape.Before entering feature films, he built his reputation as a well‑known music video director, contributing to Nepal’s modern music scene with visually expressive storytelling.His directorial debut Swor remains his most recognized work, praised for its casting choices and its attempt to break away from formulaic filmmaking. He later directed Mero Best Friend and has worked on upcoming projects including Kamaleko Bihe.