Master Jitu Singh

Samir Shrestha, a talented singer and songwriter, has made a significant impact in the Nepali music industry. His heartfelt compositions resonate with listeners, capturing emotions and experiences that touch the soul. Here are some notable songs by Samir Shrestha: “Timiley”: This official music video portrays the early stages of love—the serenity it brings and the unspoken emotions that sometimes leave us speechless. 🎵 View Count: Over 2.5 million views. “Andhakar ko Ujyalo”: In this official music video, Samir sheds light on the least expressed yet powerful love—the love of a father. A loving person who works tirelessly to provide for his family, even when his efforts often go unnoticed. 🎵 View Count: Over 3.5 million views. “Hera Na”: This official lyrical video beautifully captures the feeling of waiting for someone’s glance, noticing every little effort made for them, and the anticipation of love. Written, composed, and performed by Samir Shrestha, it’s a testament to the beauty of love. 🎵 View Count: Over 20 million views. Samir’s journey as a young artist has been remarkable. His passion for music has turned his life around, and his original compositions continue to resonate with fans worldwide. 🎶

The ever-young Jyoti Ghimire is known for his contributions in helping shape Nepal's contemporary rock scene to its present state. In his musical journey spanning over three decades, the guitar virtuoso has given hits like 'Anjaan', 'Maski Maski', and 'Nashalu'.

Prakash Saput Known for his modern folk songs, most recently the hugely popular ‘Galbandi’, Prakash Saput is an artist of many talents – singer, composer, song writer, and producer. In the music field since the last one and half decades, he is most famed for his ‘Dohori Battles’, a modern rendition of the traditional ‘Dohori’ songs where one party sings and the other indulges in witty ripostes and repartees.

Miss Tara Bai – Singer (Disciple of Melawa Devi)A musical disciple of Melawa Devi, Miss Tara Bai recorded 2 songs in BS 1988 (AD 1931/1932). Although her personal background and song titles are not documented, she is remembered for carrying Melawa Devi’s vocal tradition into the early recording medium.