Master Purnaman

Soni Singh – Singer (Early Recording Era)Singer Soni Singh is documented as an Early Recording Era artist with 2 songs from BS 1992 (AD 1935/1936). Additional biographical details are incomplete.

Anita Chalaune (अनिता चलाउने) is a vibrant and popular Nepali folk and Lok Dohori singer, known for her powerful vocals, catchy melodies, and dynamic stage presence. She has carved a niche in the modern Nepali music scene with a string of hit songs that blend traditional rhythms with contemporary flair. She’s also known for her collaborations with artists like Raju Dhakal, Rabi Oad, and Prabin Bedwal, and her songs often feature in Teej and Deuda celebrations.

Tilak Bam Malla, also known by his stage name Parivesh, is a Nepali folk-pop singer. He gained popularity in the late 90s with his second Lok Pop album, Parivesh Vol.2, which featured hit songs like Mutu Chune, Bhote Talcha, Haat Ma Rumal, and Chaite Dashain. He is considered a pioneer of the Lok Pop genre in Nepal. Malla has released numerous successful songs and albums, and his music continues to resonate with Nepali audiences. He also owns Parivesh Recording Studio, where he supports talented musicians who want to revolutionize the Nepali music industry. Beyond music, he has been involved in humanitarian efforts, especially during the devastating Nepal earthquake in 2015. If you're interested in his music, you can check out some of his songs like Mero Maya, Bhote Talcha, and Sarara.

Nikhita Thapa is a talented Nepali playback singer and performer. She has made significant contributions to the Nepali music industry with her captivating voice and engaging performances. Career Highlights Popular Songs: Some of her notable songs include "Sirsirey," "Rang," and "Narou Timi." Collaborations: She has worked with various artists, including Brijesh Shrestha and Tuladhar Darnal. Awards: Nikhita was nominated for the Image Awards 2014 in the category of 'Best New Artist of the Year' for her song "Ma Ta Timro Naphape Ko Manche" from the album "SATYATA-2" by Gobind Prasad Upadyay.