Kulendra Bishwakarma

Arjun Sapkota is a Nepalese folk singer, songwriter, and music composer from Nawalparasi, Nepal. He has sung more than one and half Dozen songs including "Pachhuri Lisyo", "Simalai ma Maina","Banki Chari", "Pirati Nalam Maya", "jamekai Gaun Royo"

Jhalakman Gandharva (झलकमान गन्धर्व) was a pioneering Nepali folk singer who popularized Gaine Geet, giving voice to Nepal’s marginalized Gandharbha community. Born on July 29, 1935, in Batulochaur, Pokhara, Jhalakman began singing at age nine, traveling village to village with his sarangi. He became the first Gaine artist to record songs, transforming oral traditions into mass media. His haunting ballads, especially “Aamale Sodhlin Ni”, mourned the death of Nepali soldiers abroad and resonated deeply across generations. Active from 1965 until his death in 2003, he recorded over 100 songs, blending folk and classical styles. His music preserved indigenous narratives and challenged caste-based exclusion, earning him national reverence. Jhalakman’s legacy lives on as a cultural bridge—his voice remains a symbol of dignity, sorrow, and resilience.

Rita Thapa Magar is a Nepali folk and duet singer who has made a significant impact in the Nepali music industry. She is the President of the National Folk and Duet Song Academy in Nepal and also owns Samdhini Resort and Samdhini Entertainment Pvt. Ltd. Rita has a strong presence on social media and is followed by many fans.

Brata Gandarva, a renowned folk singer and Sarangi player, was born on 25th Poush, 2043 BS, in Jarayotar, Palpale, Bhojpur. She is the fourth daughter of Dambar Gandharba and Chija Maya Gandharba. Growing up in a large family with two brothers and six sisters, Brata's childhood was marked by a deep connection to music, especially Sarangi. Her father, a professional Sarangi player, and her mother, who also played the instrument, were her primary sources of inspiration. Though Brata was initially shy and quiet as a child, her love for Sarangi and singing gradually grew as she accompanied her mother around the village, performing and learning the traditional craft. The family's financial struggles further motivated Brata to continue the musical tradition, as it was both a means of sustenance and a way of life. Education and Musical Journey: Unlike many musicians, Brata didn’t receive formal schooling during her early years in the village. However, her connection with music was solidified when she met Gopal Siwakoti Chintan, a renowned figure who inspired her to pursue formal education and music training. Upon moving to Kathmandu, Brata joined Tri-Ratna Cooperative School, where she completed her S.L.C. and later went on to study at Lalit Kala Campus, earning her I.A. degree. She is currently in her B.A. 2nd year at the same institution. Her musical journey began under the mentorship of her parents, with her father being a significant influence on her playing technique. After moving to Kathmandu, she continued her training at Nepal Sangh Vidhalaya, under the guidance of Shyam Nepali, and started recording her songs in Music Nepal around 2053 BS. Brata’s contributions to folk music extend beyond her own performances; she is also a dedicated teacher, sharing her knowledge of Sarangi with students six days a week at various institutions.