Chandra Prakash Ghimire

B.S. Thapa is recognized as one of the early pillars of Nepali cinema, contributing as a director, writer, and actor during the formative decades of the industry. He is best known for directing the acclaimed film Manko Baadh (1973), which earned strong appreciation for its emotional depth and social storytelling. Thapa also worked on several influential projects that helped shape the narrative style of Nepali films in the 1970s and 1980s, bringing literary sensitivity and dramatic realism to the screen. His commitment to character‑driven stories and disciplined filmmaking made him a respected figure among his contemporaries. Through his films, mentorship, and long-standing dedication to the craft, B. S. Thapa played a meaningful role in strengthening the foundation of Nepali cinema.  

Amar Rasaili is a Nepali film director, production designer, and writer known for his multidisciplinary contribution to contemporary Nepali cinema, working across story, screenplay, and visual design to shape emotionally grounded and visually coherent films. Active in direction and art‑department leadership, he is recognized for blending narrative clarity with strong production aesthetics, often developing his own story concepts and screenplays while overseeing the film’s visual world. His work reflects a collaborative, detail‑driven approach that connects performance, design, and storytelling, positioning him among the new‑generation creators contributing to the evolving craft of Nepali filmmaking.

Suraj Pandey is a Nepali film director and actor born on 7 July 1997 in Kathmandu, recognized for his directorial work in Parastree (2023) and his involvement in notable Nepali films such as Aama (2020) and Love Love Love (2017). His growing body of work positions him among Nepal’s new‑generation filmmakers contributing to contemporary cinema.

Prakash Thapa is regarded as one of the legendary directors of Nepali cinema, known for shaping the visual and narrative style of the industry during its formative decades. Active primarily in the 1980s and 1990s, he directed several influential films that blended emotional storytelling with strong social themes, helping establish a more modern cinematic language in Nepal. Thapa earned respect for his disciplined direction, character‑driven narratives, and ability to bring out memorable performances from actors. Though less publicly documented than some of his contemporaries, his films remain admired for their craft and cultural resonance. His contribution continues to be recognized as an important chapter in the evolution of Nepali filmmaking