Gambir Bista

Raju Shah (born 26 February 1965) is one of Nepal’s most influential dance choreographers, with a career spanning over three decades and more than 200 films. Beginning as a dancer in Badalindo Aakash (1982), he became a leading choreographer from Dui Thopa Aansu (1993) and later expanded into film direction and production. He has directed feature films including Sapana Ko Naulo Sansar and Namaste Nepal—one of the first Nepali films shot entirely in Europe. Shah is also the founder chairman of the Nepal Film Dance Association and remains a defining figure in Nepali film choreography and visual storytelling.

A well known television personality, Sonam Pakhrin has also popular up as a well known singer, Director in Nepali music industry. He left his television career after giving it eight years of his life only to leave behind talking in front of the camera and to start working behind it. He has also directed a documentary “A day in katja’ for a foreign project which he considers to be close to his heart. Sonam Pakhrin has definitely won hearts of many fans, first with his sweet talks on television and now, with his melodious voice and direction.

Roshan Shrestha is a Nepali dance choreographer, actor, and producer with a diverse career spanning multiple roles in the entertainment industry. He was born on December 22, 1978, and has contributed significantly to both Nepali and Bhojpuri cinema. Career Highlights Dance Choreographer for the Bhojpuri movie Kabh Aaihan Sajan Pardesiya. Executive Member at Film Artist Association Nepal. Executive Member at Film Dance Choreographer Association, Nepal (2072). Producer of the Nepali movie Damdaar. Dance Director of the movie Hamro Saano Ghar Hola (2001). Owner of Tree House Resort. Roshan Shrestha has played a vital role in shaping the dance and film industry in Nepal, contributing as a performer, director, and mentor. His involvement in various competitions and associations highlights his dedication to the arts.

Renasha Bantawa Rai is a multi-talented creative Artist in Nepal, celebrated for her work as both a film director and a dance choreographer. She is most prominently known for her contributions to films such as Mero Euta Saathi Cha (2009), Visa Girl (2012), and Prem Geet (2016). These projects exemplify her unique ability to weave traditional Nepali dance motifs with modern cinematic storytelling, offering audiences a vivid, emotionally resonant experience that bridges cultural heritage with contemporary trends . Her choreographic style is characterized by a fluid blend of the classical and the modern. By integrating traditional rhythms, movements, and cultural narratives into her work, Renasha has played an influential role in reshaping the aesthetic language of Nepali cinema. This synthesis not only preserves time-honored artistic traditions but also presents them in a manner that appeals to newer generations, reflecting both innovation and reverence for cultural roots. Her creative contributions have set a new benchmark in how dance sequences enhance the narrative dynamism of a film . Renasha’s work continues to inspire emerging talents in the Nepali film industry. Her ability to act as both a storyteller and a cultural ambassador through dance has cemented her reputation as a vital contributor to modern Nepali cinema. For those interested in the evolution of dance in South Asian films or the broader intersection of tradition and modernity in art, her career offers a fascinating case study of creative perseverance and innovation.