Rhytham Kandel

Red cap, white hand bands, white scarf, a locket having picture of eagle and leopard, loose clothes and long pants. Guess who’s he? Off course, he’s Nirnaya Shrestha AKA Nirnaya da NSK. He is the naughty soul kid of Nepali music without whom hip-hop or Rap music can’t even be imagined. While other musicians appeared and then disappeared, none were able to match Nirnaya’s standards. Nirnaya was born on 15th Feb. in Birgunj . His father Dr. Shantinath Shrestha went to America to complete his PHD and Nirnaya too moved with him in 1988. Nirnaya joined school in America but carried on guitar classes. He had X-factor in music from very beginning. He participated on most of his school shows. His singing career started from his very Mt. Loghl schooling in 1990. During those times, rap music was in its growth stage. Since, one could express all his life in a single song easily and could connect with the listeners; he was strongly influenced by it so he learned it. He also bagged president of frequency award in eighth standard. As soon as his father completed his PhD, Nirnaya came back to his land and joined St. Xavier School. He had to take tuitions for basic Nepali alphabet. With a view to introduce rap songs among Nepali listeners, he joined image fm in 1999 and started hosting a program name “Bring the house down”. Later after 5 months, he started recording an album for the same name with his group, “Nirnaya and Da’ all stars”. His group mates were Samir, Pranav Joshi, Shakeel and others. The failure of his group was his group mates’ different musical interests. Then after, Nirnaya joined Samrat. They jointly recorded a song Jhilili….. This song strengthened their relationship. In the mean time Rinchin also joined the team. The motive behind naming their group as “The Rappers’ Union” was just an idea of uniting the rappers. “The rappers’ union” released their first album, “For u all” in 2000. It also included English songs like “For u all” and “The game must go on”. More than 1000 CDs were sold by the Rappers’ Union themselves.

Saraswoti Khatri is a Nepali singer known for her graceful vocal style and contributions to modern, Hindi Cover and Bhajan music. Active in the Nepali music scene for over a decade, she has performed at cultural events, weddings, and national ceremonies, earning admiration for her emotive delivery and stage presence. She gained wider attention in 2022 when she sang at the wedding of journalist Sumnima Udas, where she met Indian politician Rahul Gandhi. Her tweet describing him as a “humble and simple person” went viral, highlighting her role as a cultural bridge between Nepal and India. Saraswoti’s repertoire includes songs like “Madushala,” which showcases her ability to blend poetic lyrics with melodic finesse. Though not widely recorded, her live performances and social media presence have made her a beloved figure among Nepali audiences. She continues to represent Nepali music with dignity and warmth, inspiring through both voice and presence.

Bharati Upadhyaya is a renowned Nepali singer and composer, celebrated for her contributions to Nepali music. She is best known for her melodious voice and her ability to blend traditional and modern styles in her songs. Bharati's music often reflects themes of love, life, and cultural pride. Some of her popular songs include: "Mai Chhori Sundari" – A timeless classic that remains a favorite among Nepali music enthusiasts. "Birsidinu Pardo Rahechha" – A soulful track that showcases her emotive singing style. "Mayako Chhayama Maya Rakhana" – A beautiful composition that resonates with listeners. "Karmaima Chhaina Mero Maya" – A song that highlights her versatility as a singer. "Kina Kina Mero Man" – A track that captures the essence of Nepali music. Her work has left an indelible mark on the Nepali music industry, and her songs continue to inspire and entertain audiences.

Binusa Rai is a contemporary Nepali singer known for her growing presence in modern lok‑geet, purbeli folk, and digital‑era Nepali music. Active across YouTube, studio labels, and streaming platforms, she has lent her voice to popular songs such as “Hataima Salai” (2025) , “Bala Maicha” (duet with Prabhananda Baidya) , and “Kalle Bhanyo” (2025) with Himal Gharti Magar . Her vocals also appear in widely shared folk‑inspired pieces like “Timi Pareu Nepal Ko, Ma Ta Pare Asam Ko” in collaboration with Mani Sundar Limbu .Rai’s discography on streaming platforms includes multiple solo releases such as “Timro Mero Mayako Ghar,” “Priyatam Yo Mero Man,” “Bhaileni Aain Agana,” “Jun Pal Timi Aayau,” and “Kasari Jodyau Mutu”—showcasing her versatility across folk, sentimental, and melodic genres . With consistent digital output and collaborations with emerging composers, she represents the new wave of Nepali female vocalists shaping the post‑2024 folk‑fusion soundscape.