Surath Pradhan

Ashish Aviral (Nepali: आशिष अविरल) is a Nepalese music director, music composer, and music arranger. Born on June 4, 1980, in the Baglung district of Nepal, he has made significant contributions to the Nepali music industry. Let’s explore more about this talented artist: Musical Career: Ashish Aviral has worked on numerous Nepali songs during his career. Some of his popular compositions include:“Saalko Pata” “Bhageri Chari” “Timile Dine Maya” “Barambar” “Timi Binako Jiwan” “Maya Luki Luki” “Karke Najar” “Jindagi Nai Bhandina” “Yo Kura Gopya” “Barsidai Chha Aasu” Awards and Recognitions: Ashish Aviral has received national awards such as the Bindabasini Music Award and the National Rapati Music Award. He arranged the song “Mirtyu Yesari Song” by national poet Madhav Prasad Ghimire after Ghimire’s passing . Notable Songs: “Jindagi Nai Bhandina” from the movie A Mero Hajur 3 (2019) “Parana” from the movie A Mero Hajur 3 (2019) “Timile Dine Maya” (sung by Narendra Pyasi) Ashish Aviral’s musical journey continues to resonate with audiences, and his talent has left an indelible mark on Nepali music. 🎵

Amrita Uprety is a gifted Nepali flautist and classical musician, known for her soulful performances and dedication to the bansuri (Indian bamboo flute). Originally from Nepal, she has been a residential disciple at Vrindaban Gurukul, the prestigious music school founded by Pt. Hariprasad Chaurasia, for over 15 years. Her training under the legendary maestro has shaped her into one of the most promising female flautists in the Indian classical tradition. Amrita has performed at major cultural events such as the RFPA Holi Festival 2022, and has received accolades including the Girnar Festival Award and the Female Flautist Award from the Sundari Wadan Festival. Her music blends technical precision with emotional depth, captivating audiences across India and Nepal. She continues to represent Nepali talent on international stages, inspiring young musicians—especially women—to pursue classical music with passion and discipline.

Parashuram Bhandari is a Nepali master of the sarangi. He hails from the former Kingdom of Nepal, a country of dramatic beauty with a rich and appealing culture. His music ranges from the wildly exuberant to the hauntingly delicate, presented with the rhythmic power that is his signature. The sarangi, whose name means "hundred colors," is an instrument with a cello-like timbre, bowed on three melody strings, with thirty-six sympathetic strings underneath, giving it a haunting cello-like resonance and bright reverberating echo. It is best known for its emotional intensity and its uncanny similarity to the timbre and inflections of the human voice. Parashuram is the only sarangi musician in Nepal to play in the North Indian Classical style. He plays Nepali traditional music on the country's traditional sarangi. The Nepali sarangi is a small hand-carved version of the classical sarangi, an instrument equivalent to the traditional American fiddle. Born in the Kathmandu Valley and educated in India, Parashuram studied with guru Pandit Bacchalal Misra of Varanasi and Senior Musician Gopal Nath Yogi. He received his Master's Degree in Music from Prayag Sangit Samiti. An independent artist, Parashuram Bhandari has published the only textbook on sarangi and is the recipient of National music awards in Nepal. He has performed in numerous countries and released two solo CD's among others with the acclaimed musical group Om Shringara Nepal. When home in the Kathmandu Valley, Parashuram performs in Nepal television, radio, and theatre productions.

Suraj Nepal, The Esraj player born in Nepal started a love affair with music since his childhood. He grew up listening to folk and religious tunes played during various festivals in Kathmandu. At the age of 10 he started playing madal (A Nepali percussion) and started singing folk songs since his school days. As years passed, his interest in eastern classical music and instruments grew. That’s when he met a musician friend of a relative that introduced him to Esraj and encouraged him to learn the instrument. He learnt Esraj from Guru Santosh Bhakta Shrestha who then was the only person in Nepal to play the instrument. He too was his only disciple. He received a diploma in Esraj and in 2007. Since then he’s won many accolades, performed with many international artists, played many projects, bands and function. He’s benchmark performances include Playing for Change Organization, Varanasi International Ashram, Udaipur Shilpgram Festival, CPI NTOK 2014 Korea and Wumeng Grassland Music Festival China 2016, Inner Mongolia China 2018 & Wilma Israel 2019 etc.