Santosh Baniya

Sushank Mainali is a Nepali actor and film producer known for his work in critically acclaimed films. His performances have been recognized both nationally and internationally. Filmography Saanghuro (2013) – Played the role of Krishna Talakjung vs Tulke (2014) – Portrayed Suke; the film was Nepal’s official entry to the 88th Academy Awards Santras (2014) – Featured in a key role Ko Aafno (2015) – Played Sanatan Junge (2015) – Acted in a supporting role Ko Aafno Redux (2021) – Reprised his role as Sanatan Mainali has also worked as a producer on The World's Happiest Man, which is currently in post-production. His film Talakjung vs Tulke received multiple awards, including Best Film at the SAARC Film Festival.

Jiban Bhattarai is a theater artist. He has acted and directed dozens of plays. Jiban's hidden talent is that he is also a poet. He has also written many poems. He is also the director of Paana Arts. Through this he has directed and acted in dozens of music videos. He has acted in films including kagajpatra, na yata na uta, changa, jhyanakuti.

Dinesh Sharma is a Nepali film actor known for his presence in mainstream commercial cinema from the 1990s and early 2000s. He appeared in supporting, family‑centric, and character roles, often portraying responsible, emotional, or authoritative figures. His acting career aligns with the classic era of Kollywood, contributing to ensemble casts and story‑driven films during a period when Nepali cinema was transitioning into more modern storytelling styles.Although several public figures share the same name, this profile represents only the film actor active in Nepali movies.

Pramod Agrahari is a prominent Nepali film artist known for his intense screen presence, grounded performances, and commitment to socially rooted storytelling. Emerging from theatre and independent cinema, he gained recognition through acclaimed films such as White Sun (Seto Surya), Kalo Pothi, Bulbul, Aama, and Gopi, where his naturalistic acting style brought emotional depth to complex characters. Agrahari has become a leading figure in Nepal’s new‑wave cinema, frequently collaborating with directors who explore political, cultural, and human‑centered narratives. His work reflects a blend of discipline, realism, and artistic integrity, establishing him as one of the most respected contemporary actors contributing to the evolution of modern Nepali filmmaking.