Jayanendra Chand Thakuri

Raj Pangeni Sharma is a Nepali film and television actor whose work spans independent cinema and contemporary series‑style storytelling. He is best known internationally for his performances in the feature film Basenji (2023), the short film Mango Pickle (2020), and the TV mini‑series Sano Sansar – Stories of Middle Class (2023/2024), where he portrays nuanced, everyday characters with emotional restraint and realism.

RK Mehta is a freelance Nepali actor known for his adaptable screen presence, natural performance style, and commitment to diverse roles across film, television, and digital projects.

Gita Adhikari is a Nepali actress with a career spanning theatre, mainstream cinema, and character‑driven films. She began her screen journey in 2008 and has since appeared in at least ten Nepali films, often portraying emotionally grounded, culturally rooted, or maternal roles.Born on 23 November in Ilam, she is recognized for her expressive acting style and her ability to carry both central and supporting characters with equal depth. Her performance in Dhauli (2015) is widely regarded as one of her strongest works, where she played a mother‑centric role that earned critical appreciation.Alongside film, Gita Adhikari has remained connected to theatre, contributing to stage productions and community‑based performing arts. Her consistent presence in Nepali cinema reflects a career built on discipline, versatility, and long‑term dedication to acting.

Saroj Lamichhane is an internationally recognized blindfolded speed painter and Nepali performing artist whose work bridges visual art, cinema, and therapeutic practice. Known for his high‑precision live painting performances across Nepal, India, the Middle East, and Europe, he has become one of the most visible Nepali art personalities on global stages. In film, Lamichhane has appeared as an actor and creative performer, bringing his expressive physicality and artistic discipline into character‑driven roles. His unique background as a speed painter and art therapist informs his screen presence, making him a distinctive figure in Nepali cinema’s new generation of multidisciplinary artists. He is also active as a motivational speaker and lecturer, conducting workshops on creativity, emotional healing, and art‑based therapy for students, corporate groups, and social organizations.