Gitanjali Thapa Magar

Ankit Babu Adhikari is a musician, singer and lyricist from Kathmandu, known from his as finalist in Nepali Tara season 3 & the voice. Ankit started his musical career by composing and performing songs for a post-modern play Coma; A Political Sex staged at Shilpee Theatre, Kathmandu in 2014. His another major milestone includes his solo concert organised in tribute to Narayan Gopal.In 2014-15 he made it to Nepali Tara after which he gained wider audience throughout Nepal and abroad. His first original release is Ram Naam, a song that questions the physical existence of God; that was critically acclaimed in Nepal. He continued his experiment in a 2016 release Nau Futey Bhoot (9 ft. ghost), a song about Indian Blockade in Nepal, for which the Japan-based magazine The Diplomat named him Nepal's Singing Storyteller.

Rapraveen Shrestha is a talented Nepali music composer, arranger, director, and music coordinator, known for his ability to weave sonic innovation with precise technical execution. He is the Founder and Director of Pulse Studio, a dedicated creative space for music production, mixing, and mastering in Nepal. Musical Contributions Composer and arranger for songs like Biti Jane Layeko Maya, Yo Kasto, Chorera Lagyo Maya, and Hey, which demonstrate his flair for emotive musical storytelling. Professional Involvements Music Coordinator for high-profile reality shows: • Mero Dance Universe • Mero Voice Universe • Galaxy 4K • Nepal Idol Season 1 & 2 In charge of mixing and mastering, ensuring each production delivers broadcast-quality sound and artistic integrity. Founder & Director — Pulse Studio Through Pulse Studio, Rapraveen provides a collaborative hub for audio production, working with emerging and established artists alike to develop unique musical identities.

Sabita Regmi is struggling in acting and modeling. Born in Jhapa, Sabita has done music videos, movies and photoshoots. She is also a good dancer. Her goal is to become a successful Actress.

Tirtha Lal Shrestha is recognized as the first film editor of Nepali cinema, establishing his legacy with the landmark film ‘Man Ko Bandh,’ released on Falgun 7, 2030 BS, marking the beginning of credited film editing in Nepal. Working in the era of manual flatbed editing, he shaped the narrative rhythm, emotional tone, and cinematic structure of early Nepali films, earning the industry’s respect as the “second director” for his decisive role in transforming raw footage into cohesive storytelling. Shrestha edited notable films including Man Ko Bandh, Kumari, Ke Ghar Ke Dera, and dozens of other productions, contributing significantly to the foundation of Nepal’s post‑production craft and influencing generations of editors who followed.